Yesterday's walk was completely in keeping with my current read, Adam Bede by George Eliot. I felt quite sure I would bump into Adam and Seth carrying a coffin with Gyp, panting at their heels, as I rounded each bend, or glimpse Hetty as I strolled into the churchyard.

Though
Eliot didn't use Devon for her location there can be little difference
from the village of Hayslope. I am magically enthralled by Eliot's
writing again, Her masterey of characterisation and influence on her
reader has me falling into all the old traps. Not quite half way
through I have developed the intended dislike for Hetty Sorrel and her
vanity and am wondering whether Eliot will pull her masterstroke. I
should have learnt my lesson reading Middlemarch as I grew to loath
Casaubon and felt sorry for poor Dorothea, only to have Eliot turn the
tables on my judgement and take me to task mercilessly.
I think this may be different.
Reading
Eliot's biography by Kathyrn Hughes in tandem with Adam Bede it is
abundantly clear that Eliot is on her soapbox on the subject of beauty.
This in the face of so much spite and malice levelled at her own, less
than photogenic looks, makes me think she will find it hard to allow us
to feel even a shred of heart rending emotion in Hetty's direction.
It is clear the poor girl is in for trouble, I shall need my wits about me if Eliot is not to snooker me again.










I was so enthralled with this book especially after the rigours of
Three Day Road. It's set in Finland in the early 1900's and pre-Russian
revolution. Eeva an intelligent daughter of a revolutionary is orphaned
and after some time in the orphanage is sent to work as a maid at the
house of the local, recently widowed doctor. Thomas is essentially a
good man and Eeva's enigmatic presence unsettles him to the point where
he realises he is in love with her. But Eeva has a past life that she
needs to reconnect with and it will of course lead to danger and
uncertainty. My only caveat is the ending where it seems as if Dunmore
inexplicably moves from a wonderfully engaging narrative style to
something post-modern and mildly ambiguous focusing on the demise of
minor characters in whom I was not the least interested.
Perfectly and beautifully written book. Norah, the daughter of a
respectable, normal middle class family heads off to university and
then inexplicably drops out and sits in silence on a street corner
wearing a sign that says "goodness" around her neck. In their search
for a reason Norah's parents also have to face the fact that having
bought up their children to be true to themselves they may do just this
and use fairly non-conformist means in the process.
Another winner. Mary Swann is a latter day Emily Dickinson who
having submitted a paper bag full of poems to a local newspaper is then
brutally murdered by her farmer husband (and chopped up and put in the
silo for good measure; we never find out why) Undiscovered for years
suddenly a cult surrounds her work and four people come together to
piece together the "story". Story becomes the operative word here as
Shield's deftly examines the nature of biography and truth and how the
boundaries become blurred and exaggerated to serve the needs of those
who create the myth. I was expecting a diatribe on domestic violence;
nothing could be further removed. This book is by turns funny and
poignant with the final denoument cleverly written in the unusual form
of a film script.



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